LAYAMANI LAYAM
INSIGHT

    Vol.6: Issue No.34:February-March 2000
 
   Chief Editor
   KARAIKUDI R. MANI

   Consultants

   K.S. MAHADEVAN
   V. RAMAMURTHY, I.A.S.(Retd.)

   Publisher

   SRUTHI LAYA SEVA TRUST
   (Regd.)

   14, Rangarajapuram
   1st Street Rangarajapuram
   Chennai - 600 024

   Composed and Designed by

   MYSORE N. SUDHARSHAN
   Mridangam Artist,
   Mysore - 570 009
   Phone: 0821-542916

   Address for correspondence
   KARAIKUDI R. MANI
   14, "Layapriya"
   Jeth Nagar 1st Main Road
   Chennai - 600 028
   Phone: 044-4936650

 

Editorial - Layavinyasam……………….............3
Interview with Yazhpanam Ganesha Pillai………4
Rare Combinations: Once in a Millennium !!…………………………… ...........................7
Teaching of Compositions…………….............. 9
Artists Honoured ……………………….........10
Profile Palladam Sri Sanjiva Rao……………...12
in Rhythm………………………………........ 14
Current Events…………………………..........15
Musicians Honoured………………….............19
Reader's Desk…………………………..........20
Young Mridangam Artists Honoured……….... 21
Cassettes Released………………….. ............21
Naada Inbam: Manoranjani Series…............... 22
In Memorium……………………………...... 22




All rights reserved. Reproduction in any manner
withoutprior writtenpermission prohibited.
Theoretical - Raga Tala…………….............. .23
  Quiz ……………………………………....... 23
 

Send your Opinions and suggestions to

The Chief Editor
Layamani Layam 14, "Layapriya" Jeth Nagar
1st Main Road Chennai - 600 028
Phone: 044 - 4936650
Website: http://www.webindia.com/kmani
Messages can be sent at krmani@webindia.com
 

Behind the Stage
December may be the last month of every year but for some young and upcoming musicians and dancers as well as some artists abroad, it is a welcome month. Quite so as this is the time for showing their mettle in the fine-arts world which has also become a highly competitive one. This is quite cheering. But this natural urge and enthusiasm in them to gain name and fame is misused by some who are supposed to represent the press to earn cheap and easy money. In this festival season, I observed

some people thronging an young artist right inside the artist’s room after the performance introducing themselves as press reporters, demanding money for publishing the artist’s photo and an article about the programme. On such occasions, the artists who are not so experienced, in their desperate mood fall easy prey.

I do not know how such so called press people gain easy access to the artist’s room itself without proper identification. I feel that people who represent leading magazines and newspapers will never adopt such mean tactics. What can be done to curb this unhealthy practice requires serious thinking and suggestions by all.
Chief Editor