Final Cut Pro is a professional non-linear editing system developed by Apple Inc. that has found popularity amongst independent filmmakers and Hollywood film editors alike. The program has the ability to edit many digital formats including, SD, HDV, HD, Panasonic P2, Sony XDCAM, 2K, 4K, and IMAX film formats. The system is currently only available for Mac OS X version 10.4.9 or later.
SALIENT FEATURES
Broad Format Support: Final Cut Pro 6 lets you edit virtually anything with the highest possible quality, including camera-native editing of leading SD and HD formats. Work with DV one day, then HDV, XDCAM HD, DVCPRO HD, or uncompressed HD the next. Or use ProRes 422, Apple’s new post-production format, for uncompressed HD quality at SD file sizes.
Incredible Real-Time Effects: Add visual interest to any production with the rich set of effects and visualization tools built into Final Cut Pro 6. Experiment freely and iterate quickly. You’ll see the results of your changes in real time as you work, with no need to waste time waiting for renders.
Comprehensive Editing Tools: The faster the tools, the more time you have to be creative. Final Cut Pro 6 makes it easy to edit quickly, accurately, and flexibly. Everything you do in Final Cut Pro — from editing and trimming to audio mixing to finishing to delivery — feels like second nature, so your creativity can flourish.
Open Format Editing :
Final Cut Pro lets you mix and match source materials in a wide range of formats and even different frame rates. Freely edit a combination of HD and SD, including NTSC and PAL al in real time.
APPLICATIONS
Film Industry
TV Channels
Production Houses
Multimedia Companies
Author DVD in HD / SD resolution.
Course Content
Introduction:
Understanding Clips, Media Files and Sequence.
Starting a Project.
Importing Files
The Browser Window Elements:
Browser Overview
Organising Clips In The Browser
The Creation of Sequences and Bins
The Icon View and Columns View
The Viewer Window Elements:
Viewer Overview
The Tabs in Viewer
The Transport Controls
Marking Controls
The Timeline and Canvas Windows:
The Timeline Overview
Canvas Windows Overview
Editing Clips Into The Canvas & Timeline
Drag and Drop Editing
Overwriting and Inserting Edits
The Sequence Timecode
Basic Editing In The Timeline:
The Settings
The Timeline Buttons and Controls
Navigating and Zooming
Transferring Clips in the Timeline
Trimming Using the Selection Tool
Clip Handles & Media Limits
Closing and Finding Gaps
Linking and Sync
The Tools Palette in FCP:
Selection
Rolling Edit
Ripple Edit
Slide Edit
Slide Edit
Razor Blade Tools
Zoom and Hand
Crop & Distort
Pen Tools
Audio:
The Adjustment of Levels
How to Read Audio Meters
Working with Stereo and Mono Clips
The Adjusting Plan
Adjusting Audio Over Time
The Audio Mixer
Using the Voice Over Tool in Final Cut Pro 4
Advanced Editing:
Using the Keyboard to Edit
3 Point Editing
The Creation of L-Cuts
Delete Between the In/out Points
The Trim Edit Window Explained
Edit in the Trim Edit Window
Matchframe
The Viewer Sync Controls
Superimpose Edit
Fit to Fill Edit
Replace Edit
How to Edit a Sequence of Clips in the Viewer
Subclips and Markers:
Adding Markers
Markers in the Timeline
Creating Subclips
Using Markers to create Subclips
Preferences & System Settings:
Matching Settings Overview
The Item and User Preferences
Some System Settings
Both Audio and Video Settings
Capturing Capturing Footage:
Connecting Sources for Capture
Creating a New Project for Capturing
Previewing and Marking Your Source,
Logging Clips, Choosing Clip Settings
Choosing Capture Settings
Choosing Capturing Options,
Setting Capture Preferences and Acquiring Other Media
High Definition:
High Definition Formats
Frame Sizes
Frame Rates
Scanning Methods
Interpreting the Numbers
HD Workflow
Using HDV
Transitions:
Both Applying and Adjusting Transitions
Favourite and Default Transition
Trouble-Shooting Transitions
Filters:
Applying and Viewing Filters
Viewing and Modifying Filter Parameters
Applying Audio Filters
Using a Color Correction Filter
Animating Filters.
Rendering & Realtime:
The Real Time Capabilities
Rendering Overview
The Rendering Settings
How to Preview Effects
Rendering & Realtime:
The Real Time Capabilities
Rendering Overview
The Rendering Settings
How to Preview Effects
Colour Correction in Final Cut Pro:
The Basic Principles
The Three-Way Colour Correction
Frame Viewer
Titles and Graphics:
Generating Items
Using Title 3D
Using Motion Enhanced Titles
Creating Basic Titles
Keyframing & Compositing:
Multiple Tracks in the Timeline
How to Adjust Basic Motion Attributes
Using Keyframes
Adding Keyframes in FCP
Changing the Pace of a Clip
Output:
Finishing
Exporting QuickTime Files
Outputting to Tape
Backing up Projects
Course Duration
Fees (Indian RS.)
Fees (US $)
50 sessions of 1 hr each
17,000
485
Management has full right tochange courses, contents, tuition fees without prior notice.
